The Gnomon Workshop

Sculpture 4

Molding and Casting the Head

Description

'Molding & Casting the Head' picks up where 'Sculpting the Detailed Character Head' left off. Beginning with the sculpture, this four-hour lecture takes the student through preparing the sculpture to be molded, right up to pulling a plaster cast out of the mold. Through a step-by-step process, students will learn a variety of mold making techniques, how to break the sculpture up for individual molding, how to make a flexible silicone Matrix mold, and then on to producing a casting of the sculpture. All while being exposed to the special materials and tricks of this trade. Students will also learn how to avoid the practical pitfalls associated with this kind of work, walking away with a solid foundation for molding & casting their own projects.


Duration: 150 minutes

Format: SD 640x480

IMAGE GALLERY

  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4
  • Sculpture 4

John Brown

Character / Creature Designer Sculptor

With over forty film and television credits, John Brown’s skills as a sculptor placed him in the top live-action special make-up FX houses in Hollywood. Credits include Alien Resurrection, Species 2, George of the Jungle, Jumanji, X-Files, Mars Attacks, Bless The Child, Monkeybone, The Cell, Spy Kids, Scary Movie 2, Planet of the Apes and a host of others. John is also a bronze figurative artist whose sculptures reside in private collections throughout the United States.

  • In this new set of lessons from one of America’s leading figurative sculpting tutors – John Browns approach on how to sculpt the planes of the human male head is carefully and methodically explained. John’s teachings deliver a pragmatic set of simple to understand lessons that help ground the sculptor in the critical importance of learning the fundamentals of this art. It is these fundamentals that our creative team here at Weta Workshop value as the underpinning of our sculpting process – whether we are sculpting a hyper realistic figure or a more fantastical alien creature. Johns insistence that, all good work must be underpinned by a thorough understanding of structure and form, is also the cornerstone of our creative process .

    - Richard Taylor
    Co-Owner and Creative Director Weta Workshop